Art direction and all photos by Guido Harari. De Andrè was immediately appreciative of the new slant given by PFM to his songs (especially the older ones), to the point that he kept using identical arrangements to PFM's in all of his subsequent tours, up to his very last concerts in 1998, regardless of the musicians he played with. Ho chiuso il cielo, nella stanza ho le pareti blu (ehi) Ho perso la ragione, la ragione sei tu. E fu The show consisted in a faithful live re-creation of the album and of its second volume, both in their original running order. Nota sul De Vulgari e sul Convivio. Traduction de Fabrizio De André, paroles de « Verranno a chiederti del nostro amore », italien → français Traductions en contexte de "del nostro amore" en italien-français avec Reverso Context : Cosa faremo allora del nostro amore? (In later years, Pagani became one of De André's most trusted collaborators, composing and arranging most of the music for the latter's albums Crêuza de mä and Le nuvole, also playing a number of ethnic instruments on both albums.) [2], The 2012 re-release of both albums, within the 16-CD live box set I concerti ["The concerts"] by Sony Music, features four bonus tracks entitled "Contestazione Roma PalaEUR" (1-4) [i.e. English translation of lyrics for IL CIELO NELLA STANZA by Salmo feat. Discover releases, reviews, credits, songs, and more about Fabrizio De André - Fabrizio De André at Discogs. Encouraged by friends, including Gino Paoli, he begins to perform in public in Genova and, between 1963 and 1966, the label karim release some singles which will then be collected in Fabrizio De André - Tutto Fabrizio De André … Что-то такое (Фаянс?) Guido Zaccagnini,. Di Cioccio, Djivas and Fabbri - Premoli and Mussida having left the band respectively in 2005 and 2015), plus several guest musicians. Verranno a chiederti del nostro amore is a love song; the protagonist, now behind bars, reassures his woman that his love for her will never end. The gatefold cover of the first album includes more onstage pictures of single members, and the album also features a booklet consisting of black-and-white stills of De André and band members relaxing and having fun backstage. NSTASIA. Shall we need space, turn around and get closer, then we. Опять не так. Upon release, the album became immediately very popular and paved the way for other Italian singer-songwriters (notably Francesco Guccini) for their own transition from a folk style into a more rock-oriented one. "Jeering in Rome PalaEUR"], which consist in various excerpts from a 1980 show in Rome's PalaLottomatica (formerly PalaEUR); in the show, De André performed the same setlist as in the live albums, but he was verbally attacked, jeered and booed throughout by some of the local audience, who, as several other early fans of De Andre's, viewed the coupling between a singer-songwriter and a rock band as almost sacrilegious, implying a sell-out of the former; large groups of people shouted out "sell-out, sell-out" and chanted "idiot, idiot" between songs. Tu mi fai andare fuori *You're like the beat of my heart, we keep on. Fabrizio De André lyrics with translations: Bocca di rosa, Don Raffaè, Il bombarolo, Via del campo, La canzone di Marinella, Amore che vieni amore che vai One of Italy's most popular and critically acclaimed singer-songwriters of the 1960s and '70s, Fabrizio De André was born in 1940 in Genoa to a wealthy businessman who supported anti-fascist causes that meant the family had to seek hiding during World War II. Oscar y André en distintos escenarios, pero siempre fieles a sí mismos. "Il cielo in una stanza" di Gino Paoli non è l'unica citazione presente nella canzone di Salmo: viene menzionato Fabrizio De André nel verso "Chiedono del nostro amore, De André", un riferimento alla canzone "Verranno a chiederti del nostro amore" del cantautore genovese. ♪♫•*¨*•.¸¸ le note del nostro amore ♪♫•*¨*•.¸¸ . Actually, his name is spelled Fabrizio de André (Different accent of the e). 3.7k likes. Two ugly-looking pictures of Colombo and Fabbri holding their, "Carlo Martello ritorna dalla battaglia di Poitiers", "Un matto (Dietro ogni scemo c'è un villaggio)", This page was last edited on 27 December 2020, at 05:52. J'espère que tu as passé in Bon ... http://www.fondazionedeandre.it/index.html. Un rimatore délie origini cortigiatio del re d'Ungheria. The Sanremo Music Festival 2014 (64° Festival della Canzone Italiana di Sanremo 2014) was the 64th annual Sanremo Music Festival, a televised song contest held at the Teatro Ariston in Sanremo, Liguria, between 18 and 22 February 2014 and broadcast by Rai 1. Baldo da Passignano fut précepteur, à Padoue, du prince André de Hongrie qui devint roi, André III, de 1290 à 1301 ; c'est alors que Baldo séjourna sur les rives du Danube. The front cover of both albums is a shot of the audience in Florence taken from above the stage, without De André (his chair is empty); the photo has an orange-red tint on the first 1979 release, and a light green tint on Volume 2. Fabrizio De André in Concerto - Arrangiamenti PFM ["In Concert - Arrangements by PFM"] is a 1979 live album by Fabrizio De André featuring Italian progressive rock band Premiata Forneria Marconi, also known as PFM, as his backing band, recorded during their successful 1979 tour of Italy and Europe. Che mi fai andare fuori, seh. Complete your Fabrizio De André collection. [7], As told by De André and Guido Harari in their book, Learn how and when to remove these template messages, Learn how and when to remove this template message, originally released in 1970 as a standalone single, Fabrizio De André in Concerto - Arrangiamenti PFM, Fabrizio De André in Concerto - Arrangiamenti PFM, vol 2, https://en.wikipedia.org/w/index.php?title=In_Concerto_-_Arrangiamenti_PFM&oldid=996541829, Articles needing additional references from October 2018, All articles needing additional references, Articles with multiple maintenance issues, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, "Zirichiltaggia" [literally "Lizards' den" in, "La canzone di Marinella" ["Marinella's song"], "Verranno a chiederti del nostro amore" ["They will come to ask you about our love"], "Via del Campo" [literally "Field Street" - a street in, "Il testamento di Tito" ["Titus's testament"], "Giugno '73" adds a new intro, but remains otherwise faithful to its original recording on, "Un giudice" is played very slightly slower than its original recording on, "La guerra di Piero" is relatively unchanged from its original recording on, "Zirichiltaggia" is, again, played much faster than its original recording on, "La canzone di Marinella" is transposed from the, "Amico fragile" is much longer than its original recording on, "Avventura a Durango" is a slightly faster adaption of the original recording on, In "Sally", the interlude melody, played on acoustic guitars in the original studio version on, In "Verranno a chiederti del nostro amore", a new piano introduction is added; the orchestration on the original recording, on, The choir singing the titular word in "Rimini" is here sung by the entire band - except for Djivas - with Fabbri taking the highest note in a, "Via del Campo", another Colombo arrangement, is led by the guest keyboardist's harpsichord-like synth. — P. 75. The album was followed by a Volume 2 the next year, recorded during the same shows. Remixed by Paolo Iafelice at Adesiva Discografica Studio, Milan. Album: Nuvole Barocche (1969) Testo della canzone E Fu La Notte di Fabrizio De André E fu la notte la notte per noi notte profonda sul nostro amore. Il nostro Dio è grande nell'amore #Matrimonio #ChiesaCattolica #Liturgia #MusicaCristiana #CantiReligiosi Correction: Salmo - Il Cielo Nella Stanza (chords) Comment. "Cooperative" supervision by Dori Ghezzi, Franz Di Cioccio and Patrick Djivas. Di Cioccio, on his own turn, defended the combination on the ground that PFM were merely functioning as De Andre's backing band for that tour, as opposed to a full-fledged rock band with their own personality; he then proceeded to introduce the band members, as he did on Volume 2.[3]. he was talked into bringing a "rockier" feel to his music by drummer Franz Di Cioccio, guitarist Franco Mussida and, especially, multi-instrumentalist Mauro Pagani, who, although he was no longer a PFM member by then, had played on La buona novella and was still friends with all of the band's then-current members. Guido Ceronetti est né le 24 août 1927 à Andezeno dans la province de Turin. The singer responded (in the second excerpt, track 10 on the CD) by claiming that there are no such things as good ideals and bad ideals, but that ideals are seen as good or bad depending on them being accepted by a majority or a minority of people. View credits, reviews, tracks and shop for the Green Labels Vinyl release of Fabrizio De André on Discogs. With PFM imprinting their own progressive rock stamp on all songs, all of the arrangements are notably different from their respective original studio recordings. ... Bonjour Alain, going back to the original 1979 tapes and removing all subsequent layers of remastering to obtain a flat transfer of the tapes themselves, then carefully mixing them anew in order to bring out previously obscured details. Écoutez de la musique en streaming sans publicité ou achetez des CDs et MP3 maintenant sur Amazon.fr. Découvrez L'amore del Signore Salmo 103 (102) de Giancarlo Pavan sur Amazon Music. Baby please forgive me I love hard. When asked in 1991 by his longtime lighting and theatrical director Pepi Morgia why he kept using the PFM versions instead of his own ones, De André half-jokingly replied: "Belin,[5] because they are so damn good that nobody has ever done any better - and nobody ever will, most of all myself!" Rated: T - Spanish - Romance/Drama - Chapters: 21 - Words: 7,522 - Reviews: 26 - Favs: 3 - Follows: 3 - Updated: 11/25 - Published: 11/3/2019 - [André G., Oscar de J.] Label: Ricordi - ORL 8064,Produttori Associati - ORL 8064 • Series: Orizzonte • Format: Vinyl LP, Compilation, Reissue Green Labels • Country: Italy • Genre: Rock • Style: Folk Rock, Acoustic . https://it.wikipedia.org/wiki/Fabrizio_De_And... Canzone del maggio [versione alternativa], Carlo Martello ritorna dalla battaglia di Poitiers, Parlando del naufragio della London Valour, Un blasfemo (dietro ogni blasfemo c’è un giardino incantato), Un matto (dietro ogni scemo c’è un villaggio), Ivano Fossati - Questi posti davanti al mare, Anaïs Mitchell - Geordie (Child Ballad #209), Mango (Italy) - La canzone dell'amore perduto, Francesca Michielin - La canzone dell'amore perduto, Cecco Angiolieri - S'i' fosse foco, arderéi 'l mondo, Forsh - Երևանը մենք ենք (Yerevany menq enq), Original spelling: Fabrizio Cristiano De André. Sei la poesia che non ho scritto La canzone che non esiste La città che non ho visto Fai sembrare tutta questa merda meno triste A volte sono un mostro, il cuore chalet Freddo come il posto che piace a te Lacrime d'inchiostro con il tuono Chiedono del nostro amore, De André, eh Two short handwritten parodies by De André are used as captions on three photos: The 2007 reissue features a reworked sepia-toned band photo by Harari on the front cover, overlaid with "Fabrizio De André & PFM" in a large white type and "In Concerto" in a smaller dark brown type. While Fabbri stayed with the band throughout the 1980s and from 1997 to the present, Colombo left them in 1980 to pursue a career as a music producer and arranger, which he still is as of 2020.). Chiedono del nostro amore, De André, eh . Built on powerful, complex and carefully crafted rock arrangements, either by single band members or by the band as a unit, the album marked a significant stylistic and musical departure for De André, whose production up to that point had always employed acoustic-based, folk arrangements, occasionally branching into pop but never overtly using rock structures and instrumentation. The booklet includes, on its second-to-last page, a poem by De André entitled "Blues di altre date" ["Blues from other dates"], which he never set to music, written as a letter to Djivas. In 2007, sound engineer Paolo Iafelice, who took care of field recordings for De André's 1994 album Anime salve and later worked as a technical engineer on his posthumous releases (as well as on live recordings by De André's firstborn son Cristiano), undertook an extensive remix of both albums, by carrying them through a process of "de-mastering" - i.e. Ad. Mastered by Antonio Baglio at Nautilus Mastering Studio, Milan. Humaniste et d'une immense érudition, Guido Ceronetti commence dès 1945 à écrire pour divers journaux italiens. [6], (Note: At the time, Colombo and Fabbri were not official members of PFM or any other bands; they had joined the band as guests for the duration of the tour, with Fabbri replacing former member Mauro Pagani. Mixed in February 1979 at "Il Mulino" Recording Studio. À partir de 1972, il collabore notamment régulièrement au quotidien national La Stampa. In 1962 he married Enrica “Puny” Rignon and his son Cristiano De André was born. En 1970, il crée le Teatro dei Sensibili, en compagnie de sa femme Erica Tedeschi2, avec laquelle il monte des spectacles itinérants de marionette ideofor… fabrizio de andrè la ballata dell'amore cieco 1966 dall'Album Tutto fabrizio de andrè Graphic design by Guido Harari and Roberto Capussotti. Also, when originally recorded, some of the songs were sped up for unknown reasons; Iafelice's remix brought all recordings back to their correct speed. The booklet within the reissue features all of Harari's photos from the previous issues, and more previously unreleased ones. As the only song in the album which is not actually connected to the overarching story and functions well on its own, it became a hit and De André continued performing it live during his later years, independently from the album. [1], All of the tour dates were very successful in terms of ticket sales and of popularity, although some of De Andre's early "purist" fans viewed his move into rock as selling out, or simply as De André "pandering" to a more contemporary music style in order to have a broader appeal. However, music critics at the time, comparing the tour to Bob Dylan "going electric" in 1965, lauded the tour itself, and its resulting live albums, for their great originality, and praised De André's audacity in going beyond the commonly accepted "minimal" attitude of 1970s singer-songwriters (according to which the number of instruments which were played alongside the singing, and the quality of the playing itself, had a much lesser importance than the lyrics) and "dressing up" his songs in beautiful musical arrangements, which thus became just as relevant as his lyrics. Verranno a chiederti del nostro amore - Storia di un impiegato - 1973 The two albums were remastered and reissued several times by Ricordi, BMG and Sony Music, starting from 1995. In "Verranno a chiederti del nostro amore", a new piano introduction is added; the orchestration on the original recording, on Storia di un impiegato, is simplified and played on keyboards and synths. — P. 289. To celebrate the 40th anniversary of the original 1979 live album, a tribute concert took place at Verona Arena on 26 September 2019. In a 1979 interview, as testified in the eighth and last disc (Poesia in forma di canzone - "Poetry as songs") of the 2011 8-DVD documentary series Dentro Faber [i.e. A picture of De André seemingly asleep on the ground next to a heater is captioned with a parody of the first two lines from "Il pescatore": "Col culo esposto a un radiatore/s'era assopito il cantautore..." ("With his ass exposed to a heater, the singer-songwriter had fallen asleep..."). Expert concert photographer Guido Harari took all the photos for the artwork. Fabrizio De André all, Official, Chords, Tabs, Pro, Bass Tabs, Ukulele Chords tabs including amico fragile, fiume sand creek, un matto, amore che vieni amore che vai, il cantico dei drogati "Inside Faber", about De André's life and career, "Faber" being his nickname in Genoese], De André explained that Tratto dal concerto tributo a Fabrizio De André con Morgan, Mauro Pagani, Massimo Bubola, Jang Senato, Cordepazze, Chat Noir, Le Luci della … Rosalie L., Alain de S. La leonessa di Francia by Agrifoglio reviews. De André and the members of PFM had known each other since 1969, when the band, then known as Quelli ("Those ones") and mainly active as session musicians, had played on his album La buona novella. Aleardo Sacchetto, V idioma nostro nel pensiero di Dante. Some of the changes are subtle, others more radical. Привет! Historias cortas de la vida, el amor y otros, inspiradas en canciones. It featured Cristiano De André on lead vocals, accompanied by the current members of PFM (i.e. Preview Add correction. He also adds an instrumental interlude in order to, In "Maria nella bottega del falegname" the choral parts, representing the townspeople, are sung by Di Cioccio, Mussida and Fabbri in unison, without any harmonizations and, unlike the original recording on, Similar to "Il pescatore" on the 1979 release, "Il testamento di Tito", originally from, Recording assistants - Chris Blake, Ken Capper. Chiedono del nostro amore, De André, eh Ho chiuso il cielo, nella stanza ho le pareti blu (ehi) Ho perso la ragione, la ragione sei tu Che mi fai andare fuori, seh Tu mi fai andare fuori You're like the beat of my heart, we keep on Baby please forgive me I love hard Shall we … The Genoan songwriter, who at the time was also suffering from a lack of motivation and stimuli, enthusiastically accepted the band's proposal, and the tour, later immortalized by the two-volume live album, was born.

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