Im deutschen Fernsehen wurde der Film dann ungekürzt gezeigt. The police announce that smugglers were arrested nearby and are being held in Milazzo. And everyone knows that they are indeed old and outmoded. Beautiful, interesting, incredible movies — a new film every single day. Out now on DVD: http://www.criterion.com/films/209-l-avventura From the opening titles, despite the film's serious tone, laughs erupted in a dark theater packed with critics and photographers. Claudia confesses that she's afraid Anna has returned and that Sandro will return to her. The majority of shooting on the island was filmed on the island Lisca Bianca (white fish bone) with a cast and crew of 50 people. [18] Andrew Sarris of The Village Voice called it the movie-going phenomenon of 1961, and praised Antonioni's depiction of characters that cannot communicate with each other. No one seems to take Anna's disappearance seriously except Claudia. Antonionis China | She boards a train to Palermo, and as the train pulls away, Sandro runs after it and jumps aboard. Wegen schlechten Wetters und Problemen mit der Jacht, auf der die Anfangssequenz des Films spielt, verzögerten sich die Aufnahmen bis in den November, als das Wasser bereits empfindlich kalt war. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover (Gabriele Ferzetti) and best friend (Monica Vitti, in her breakout role). It was filmed on location in Rome, the Aeolian Islands, and Sicily in 1959 under difficult financial and physical conditions. Synchro: Synchrondatenbank 1960[1] Tina Hedwig Kaiser: Flaneure im Film. Sandro, Corrado, and Claudia continue their search and end up at a shack where they stay the night. "[2] L'Avventura is the first film of a trilogy by Antonioni, followed by La Notte (1961) and L'Eclisse (1962). Seuil, 2005. University of Bamberg Press, Bamberg 2013, ISBN 978-3-86309140-8. Later onboard Anna confesses to Claudia that the "whole shark thing was a lie," apparently to get Sandro's attention. Giovanni Petrucci e Monica Vitti nel film L'AVVENTURA.png 910 × 547; 494 KB L avventura (1959) Antonioni.jpg 1,020 × 569; 107 KB L'avventura (Monica Vitti).jpg 480 × 264; 52 KB L’Avventura received a special prize at the 1960 Cannes Film Festival for “creating a new film language”. Scène finale du film de Michelangelo Antonioni "l'Avventura". "L'Avventura" marks the beginning of Antonioni's maestro phase of the 1960s, after which he created other great works such as "L'Eclisse" and "Red Desert". Claudia searches for Anna, but she is gone without a trace. In presenting the teeming uncertainty of modern life without offering the slightest recourse of a motive or explanation, Michelangelo Antonioni provoked audiences to look at films in a new way. From new directors to award-winners. While Claudia waits downstairs, Anna and Sandro make love in his house. The next morning, she wakes in a joyful mood, dancing and singing in the room while Sandro looks on amused. Dieser Film hat Geschichte geschrieben und viele Regisseure motiviert, neue Wege zu gehen. Claudia decides to stay as well. The student notices and confronts Sandro, who denies he did it on purpose. L'Avventura (English: The Adventure) is a 1960 Italian film directed by Michelangelo Antonioni and starring Gabriele Ferzetti, Monica Vitti, and Lea Massari. Das Geheimnis von Oberwald | Claudia decides not to attend because she's tired. They hear a boat nearby. 4 people found this helpful. Claudia runs off, and Sandro follows her onto the hotel terrace where he finds her quietly weeping. Eros (Episode Il filo pericoloso delle cose), Michelangelo Antonioni im Gespräch mit André S. Labarthe in, synchrondatenbank.de nennt „Rosemarie Kirstein“ als Sprecherin von Monica Vitti für beide Synchronisationen, während synchronkartei.de für Vitti „Marion Degler“ als Sprecherin in der 1. Developed from a story by Antonioni, the film is about a young woman's disappearance during a Mediterranean boating trip. Directed by Michelangelo Antonioni. Antonioni's controversial international sensation is a gorgeously shot tale of modern ennui and spiritual isolation. It is one of the festival's more notorious reactions. A poem after the Antonioni film L’avventura by Dwayne Barrick L’avventura 1. 12 registi per 12 città (Episode Rom) | The next… L'Eclisse (English: "The Eclipse") is a 1962 Italian drama film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti.Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). Die mit der Liebe spielen (Originaltitel: L’avventura) ist ein in Schwarzweiß gedrehtes italienisch-französisches Filmdrama von Michelangelo Antonioni. During the search, her lover and her best friend become attracted to each other. When Anna yells that she's seen a shark, Sandro comes to her side protectively. Die mit der Liebe spielen (Originaltitel: L’avventura) ist ein in Schwarzweiß gedrehtes italienisch-französisches Filmdrama von Michelangelo Antonioni. L'avventura - Aventura. Lea Massari erkrankte vorübergehend schwer. A haunting and beautiful scene from Michelangelo Antonioni's L'AVVENTURA. "[27] Geoff Andrew of Time Out criticized the film, writing that "If it once seemed the ultimate in arty, intellectually chic movie-making, the film now looks all too studied and remote a portrait of emotional sterility. Eventually, the crew went on strike and Antonioni and his assistant director shot the film themselves. "[17], Bosley Crowther of The New York Times called the film a "weird adventure" and praised its cinematography and performances. Préface à une vie d'écrivain. Die mit der Liebe spielen (Originaltitel: L’avventura) ist ein in Schwarzweiß gedrehtes italienisch-französisches Filmdrama von Michelangelo Antonioni.Aufgrund seiner außergewöhnlichen Filmsprache gilt der Film als Meilenstein des europäischen Kinos und … [19] Stanley Kauffmann of The New Republic wrote that "Antonioni is trying to exploit the unique powers of the film as distinct from the theater...He attempts to get from film the same utility of the medium itself as a novelist whose point is not story but mood and character and for whom the texture of the prose works as much as what he says in the prose. Stream Now. They explore the island and find nothing. Sandro und Claudia wollen einem Hinweis auf Annas Aufenthaltsort auf dem Festland nachgehen. Helpful. Kinder unserer Zeit | Michelangelo Antonioni invented a new film grammar with this masterwork. Eine kleine Gruppe von Angehörigen der italienischen Oberschicht begibt sich auf einen Ausflug zu der kleinen äolischen Insel Panarea / Lisca Bianca. With introduction by Alexander Payne before the Tuesday, October 22, screening! "[8], Much has been made of Anna's unsolved disappearance, which Roger Ebert has described as being linked to the film's mostly wealthy, bored, and spoiled characters, none of whom have fulfilling relationships. Noticing that Sandro has not yet returned, she goes downstairs to Patrizia's room to inquire about Sandro. Booed on its first showing by an audience expecting a conventional mystery story, L’Avventura is now regarded as a key work of European arthouse cinema and one of the peaks of Michelangelo Antonioni ’s coolly distanced style. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’AVVENTURA concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the … Gegen Ende des Films treffen sie in einem Hotel in Taormina ein, wo gerade ein rauschendes Fest stattfindet. Only 100 turned up, so crew members recruited passers-by on the street to appear in the scene. Download to watch Offline. Antonioni has stated that he "woke up every morning at 3 o'clock in order to be alone and reflect on what I was doing in order to re-load myself against fatigue and a strange form of apathy or absence of will, which often took hold of us all. Yet we respect them. [8] The movie would go on to influence many different arthouse filmmakers like Apichatpong Weerasethakul, Jia Zhangke, and Hirokazu Kore-eda.[9]. Stream Now. L’Avventura is sometimes classified as the first film of Antonioni’s “trilogy of alienation”, which included his immediately succeeding films, La Notte (1961), and L’Eclisse (1962), but there is nothing to distinguish these three from earlier and later Antonioni works, other than, perhaps, the heightened emphasis on the anguish caused by the seemingly inevitable impermanence of love. Wherever you are. Antonioni's film rewrote the language of cinema, questioning its addiction to storytelling and opening up the possibility for other, more enigmatic and poetic forms of expression. Dies dürfte auch der Grund für die Empörung des Publikums bei den Filmfestspielen von Cannes 1960 bei der Vorstellung von "L' avventura" gewesen sein, da es sich persönlich negativ getroffen fühlte! Die rote Wüste | L’Avventura received a special prize at the 1960 Cannes Film Festival for “creating a new film language”. L'Avventura (English: "The Adventure") is a 1960 Italian film directed by Michelangelo Antonioni.Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti). Photographie in W. G. Sebalds 'Austerlitz' und Michelangelo Antonionis ’Blow Up‘. Plot summary is not entirely important (and would spoil potential surprises), suffice to say that the movie is uniquely structured and may not proceed the way you expect it to. Während der Dreharbeiten auf Lisca Bianca ging die Produktionsgesellschaft pleite. Laughs continued through the runtime, joined by boos. Beruf: Reporter | "Both directors were Italian, both depicted their characters in a fruitless search for sensual pleasure, both films ended at dawn with emptiness and soul-sickness. After a second screening, the film went on to win the Jury Prize[16] at the same festival, and went on to international box office success and what has been described as "hysteria." With his keychain he "accidentally" knocks over the ink onto the sketch. Drei Gesichter einer Frau (Episode Il provino) | Giovanni Petrucci e Monica Vitti nel film L'AVVENTURA.png 910 × 547; 494 KB L avventura (1959) Antonioni.jpg 1,020 × 569; 107 KB L'avventura (Monica Vitti).jpg 480 × 264; 52 KB Die mit der Liebe spielen | Synchro: Deutsche Synchronkartei 1972. Claudia approaches him, and after hesitating, she enigmatically places her hand on his head while looking out at the snow-covered image of Mount Etna on the horizon. [10], Whilst shooting on the 40-foot yacht for scenes early in the film, the cast and crew totaled 23 people. It … /Nstill from The 1960 Film Directed by Michelangelo Antonioni. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar. They all agree to meet up at Corrado's Villa Montaldo in Palermo. It was filmed on location in Rome, the Aeolian Islands, and Sicilyin 1959 under difficult financial and physical conditio… Michelangelo Antonioni’s first collaboration with poet Tonino Guerra extended his early experiments with narrative: the sudden disappearance of a diplomat’s daughter while holidaying with friends in the Aeolian Islands is less the start of a mystery than of a cool dissection of the relationship that develops between her lover and her best friend as they search for her. Outside Noto, they stop at a deserted village, and then find a hill overlooking the town where they make love while a train goes by. The Cannes Film Festival premiere of L’avventura in 1960 met with catcalls from audiences frustrated with the film’s inconclusiveness and the slowness of its pacing. San Domenico Palace Hotel, Piazza San Domenico 5, Santa Panagia, Syracuse, Sicily, Italy (where Sandro and Claudia make love on a hill while a train goes by), Villa Niscemi, Piazza Niscemi, Via di Fante, Palermo, Sicily, Italy (Villa Montaldo where Giulia is seduced by the Princess' grandson), Villa of Prince Niscemi, Palermo, Sicily, Italy, 1960 Cannes Film Festival Palme d'Or Nomination (Michelangelo Antonioni), 1961 BAFTA Award Nomination for Best Foreign Actress (Monica Vitti), 1961 Italian National Syndicate of Film Journalists Silver Ribbon Nomination for Best Actress (Monica Vitti), 1961 Italian National Syndicate of Film Journalists Silver Ribbon Nomination for Best Cinematography, B/W (Aldo Scavarda), 1961 Italian National Syndicate of Film Journalists Silver Ribbon Nomination for Best Director (Michelangelo Antonioni), 1961 Italian National Syndicate of Film Journalists Silver Ribbon Nomination for Best Original Story (Michelangelo Antonioni), 1961 Italian National Syndicate of Film Journalists Silver Ribbon Nomination for Best Supporting Actress (Lea Massari), This page was last edited on 14 December 2020, at 17:39. Afterward, L’avventura won the festival’s Special Jury Prize. She says it would be easier if they sacrifice now and deny their attraction, but Sandro sees no sense in sacrificing anything. Aufgrund seiner außergewöhnlichen Filmsprache gilt der Film als Meilenstein des europäischen Kinos und bildet zusammen mit Die Nacht und Liebe 1962 eine Trilogie. Für L’AVVENTURA habe ich eine große Menge von Geräuscheffekten aufnehmen lassen. L'Avventura: Michelangelo Antonioni, Director (Rutgers Films in Print) | Fink, Guido, Chatman, Seymour | ISBN: 9780813513348 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar.

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